I have heard about the unusual benevolent side shown by Shih Huang Ti in this film, which I found a little odd. My first film that I saw showing him as a purely ruthless king was The Emperor and the Assassin, though that film is purely drama and has no martial arts whatsoever.SwordSkill wrote:It's also a very political work because in the end it does show an unconventionally benevolent side to Shih Huang Ti, who is otherwise always being portrayed as the epitome of ruthlessness in other movies (which is why he managed to unite a land as big as China, eventually. Or according to popular legend anyway.).
I have been doing some research on the web. Miramax basically delayed distribution for about a year or so, and Tarantino basically pushed Miramax to go through with the distribution. I have not seen anything about cuts.SwordSkill wrote:Actually, Omega, he wasn't the emperor yet in the movie, which was the whole point. If Nameless had gone through the entire thing, it could have meant an earth-shattering change in Chinese history (and that could never be forgiven XD). But of course, the audience does know how history turned out, and so the beauty of it was seeing how Zhang Yimou was going to resolve it. And he did it marvelously. Anyway, to say more will spoil things, so I'll just shut up now. ^^]Yes, you are correct, at this point he was not truly emperor, but I believe he was in the process of removing the remaining resistance against his rule. It would have been better if I said before the beginning of the first dynasty.
Yes, let us keep the ending a secret for now.Yes, but this film has Hong Kong movie star power (e.g. Jet Li, Donnie Yen, Maggie Cheung) driving it into the spotlight both in Asia and hopefully in the United States. People in the US that have seen this already tend to be Hong Kong Kung Fu movie fans that were attracted by the cast. Furthermore, I can guarantee you that people in the US will more likely identify this film closer with what Hong Kong has distributed since the US is not as sensitive to the Asian spectrum of film genres like you are.SwordSkill wrote:I wouldn't say the movie is a Hong Kong kung fu one, though. Zhang Yimou is pretty much a mainland-China product and he's more oriented towards art films.
It is not the typical plotless/everything breaks/revenge movie. (I am assuming that is what you mean by Hong Kong Kung Fu one. I will not argue with that stereotype since I also accept it.) However, the martial arts choreography is one of the main selling and distinguishing points, where a good deal of inspiration is drawn from the wirework style from the Hong Kong movie industry. Granted, Yimou is noted for art films like Raise the Red Lantern (I need to see that one too...) and that is his niche, but I do not think he would hire someone like Donnie Yen if he did not want a strong Hong Kong action influence in the film.SwordSkill wrote:And I think I heard that Hero was once distributed in the US, but Miramax had cut a lot of it, and Tarantino's distribution is going to be the uncut version or something.
That series is where Jet Li basically became a star. Personally, I like the second movie the most (which had a fight finale with Donnie Yen).Yojimbo wrote:Nobody mentioned the Once Upon a Time in China movies...those were his best ones in my opinion.
Last time I checked, DMX cannot speak Mandarin, and there were no rappers in Ancient China. I think we are okay in that aspect.Yojimbo wrote:I hope that Hero is like Jet Li's older movies and not as commercialized like his last few with Segal and rappers like DMX.
When I went to see this film, some people in the theater really did not notice the purpose of color use. So I am glad that someone here noticed it. Of course, I am not surprised that you noticed it, true_noir_chloe.true_noir_chloe wrote:All I can say is I saw Hero this last week and thoroughly enjoyed the visualization. It was a piece of art. Especially when they changed the color of dress for each new story that unfolded, I thought that was a brilliant use of color with emotion.
I would guess that, yes, since you were raised as an American and did not live in Chinese society, it is possible that you cannot draw much sympathy with the social and cultural themes that defined Chinese culture for centuries, which were focal points in the film. That is understandable, and I would guess that if my mother was not Chinese, I would feel the same way like you do.true_noir_chloe wrote:And, I actually enjoyed watching Crouching Tiger, Hidden Dragon more. Maybe, as Omega said, it's because I was raised American - I don't know. I just know I really enjoyed it when Zhang Ziyi was in the Tavern beating everyone one up while making those cocky statements at the same time.
I am not sure it is my favorite scene yet, but it was a great scene. And if you think about it...[SPOILER]if you were to view the leaves like snowflakes, then Flying Snow does seem to be an appropriate name for that woman and her fighting style.[/SPOILER]true_noir_chloe wrote:Probably my favorite scene in Hero was the "falling leaves" scene. I don't want to give anything away, but it was an awesome scene.
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