the_wolfs_howl wrote:I watched Star Wars - Episode III: Revenge of the Sith with my sisters. I was a little nervous at first over whether they'd be able to handle it, as it is rated PG-13 and they're only ten and twelve, but I should've known they'd be okay. I watched my first PG-13 movie when I was ten, and my first R movie when I was thirteen or fourteen, and they're made of the same stock. As long as it's just violence, it's fine. Their only complaint was that it was sad, since that's the one where [SIZE="7"]Anakin turns into Darth Vader[/SIZE].
GhostontheNet (post: 1317002) wrote:I just finished watching Let the Right One In.
Can't say why you were disappointed by it, it's number five on my list of top five favorite movies. Being a Swedish movie with good dubbing for the children and deliberately ridiculous dubbing for the adults (their lives are like a bad movie anyway), have you tried watching it in Swedish?GrubbTheFragger (post: 1317056) wrote:I watched that a couple of weeks ago. I was a bit disappointed by it. What did you think?
By no means would you call Let the Right One In a poor quality movie. The formal elements of the film are well constructed. The shots are immaculate and beautiful. The performances of the children are very touching, and display great sensitivity. The imagery and symbolism have very powerful resonance. And while I can't speak for GrubbTheFragger as to the reasons for his disappointment, what I have noticed is that as a film dealing with themes of bullying, abjection, and gender identity issues, Let the Right One In tends to either resonate with you deeply, or leave you cold. So while it's not a movie for everybody, its reputation is well deserved, and I highly recommend it.Doubleshadow (post: 1317117) wrote:I've been wanting to see Let the Right One In. Maybe was it the quality that was poor, or just not what you expected?
Doubleshadow (post: 1317117) wrote:I've been wanting to see Let the Right One In. Maybe was it the quality that was poor, or just not what you expected?
Watched 30 Days of Night.
Right, it's not supposed to be an edge of your seat horror movie, but a poignant tragic comedy. That being said, the pacing is well matched to the content of the movie. As far as that somewhat voyeuristic shot that you allude to goes, there's a very specific reason for it in the movie. In John Adjive Linqvist's original novel Let the Right One In, it turns out that Eli was originally a boy, but a sadistic vampire noble castrated her and turned her into another vampire. Owing to vampirism's symbolic ties in this story to the menstrual cycle and the mythic archetype of serrated female genatalia (which is often displaced to her mouth, and effectively makes her a castrator), as well as the fact that transformation is fair game in fairy tales, I think it makes more sense to identify Eli with the feminine than with the masculine, though she herself is very confused. So too, the clever reader or viewer will note the strong parallelism between Oskar and Eli to the point that she comes to look like a mirror image of Oskar through the looking glass of his subconscious. By facing bullying and abjection that effectively severs him from the phallocentric symbolic order he lives in, Oskar too has been symbolically castrated, resulting in a gender crisis for which he fantasizes murdering his rivals to reassert his place in the symbolic order.GrubbTheFragger (post: 1319057) wrote:Well i guess it was just the overall slowness and mood of the movie. I mean the story was very heartbreaking and touching at the same time. As i think about it, i like it more and more. I was also a bit shocked by the content that quickly flashed on the screen. *shrugs* But it was a very well made movie.
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