ich1990 (post: 1320243) wrote:Uh, yah, something like that. It had a surprising amount of heavy topics for a "G" rated movie. For instance, one mouse was ostracized from his society because he wouldn't cower like "a mouse should". Also, a poor servant girl bemoans the fact that fate placed her at the bottom of life while the princess gets whatever she wants --even though she didn't earn it-- so she uses a butchers knife to even the odds. I guess you could probably read a phallic narrative out of that if you wanted to, but I am not sure that the point of the story wasn't simply mundane.
Either way, the movie wasn't really that great. The storyline was fragmented to the point of needing a narrator to straighten it out, and it contained several "magical" plot devices that weren't even necessary.
EDIT: Oh, and congratulations on the birthday.
Actually, that's another thing I've noticed about more contemporary fairy tale movies, they're much more conscious of elements of class conflict implicit in the original tales. I guess this is because now that the spectre of communism is no longer haunting Europe, and we can no longer blame all our problems on it, the taboo on the ideas of Marx is gradually being lifted over the past few decades as some of the problems he described about capitalistic societies become painfully apparent. Here in America, I think it's very difficult to deny that you are living in a kind of fairy tale, although I tend to feel it has much more in common with "Hansel and Gretel" than it does with "Cinderella". So while it's very popular to lampoon or critique fairy tales for different reasons, as ritual stories deeply rooted in the collective unconscious, they'll never go away or lose their impact. The effort to stifle or repress their influence is misguided then, because it would be easier to extinguish the sun than to abolish an archetype.
The more effective thing to do, then, is to pay very close attention to the messages you are sending with these archetypes, which will allow your story and characters to take on the echo of thousands while repairing the damage and distortions inflicted by your forebears. In this respect, I think a good fairy tale can speak to a nation both lost and cynical on a deeper level in a way no other medium can. This will only become more and more true as a culture densely saturated with media and information technology grows more and more hyperreal, redefining the boundaries of what is possible in ways practically indistinguishable from magic. In such a cultural context, the impulse to mask the hyperreal behind the rhetoric of the "real" will make the fairy tale to seem far more relevant, honest, and authentic by comparison. For new generations of lost children whose unprecendented experiences have made them unknown to both mother and father (a sequence that not coincidently begins in the period you and I grew up) the importance and impact of fairy tales to those who wander lost through a gingerbread planet.
P.S. Thank you for the congrats on the birthday, I didn't do any cakes or parties or anything today. But I had a nice lunch with my dad and was able to do a good film shoot on campus with the lovely pollen spores flowing in the breeze right on frame at the most beautiful spots on our campus.